PZURA
There are many types of "dispersion"
in the world, whether physical or not. The dispersion of the mind, differentiated or undifferentiated, partial or total chaos.. What is common to any type of scattering is the inability of the details to be distinguished, and of course the inability of us, the viewers, to distinguish them and hence our inability to see in them something complete, logical, that will put the mind to rest. It is necessary to distinguish between the definition of dispersion and the concept of randomness, in which sometimes it will be possible to find logic and beauty that only seem to be scattered, but when you delve into it, "order" is revealed in them.
In the concepts of "space arrangement" we must first define the details found in it whether physical (for example a piece of furniture or a picture) or metaphysical (light and shadow), filter out those that are not necessary or serve a purpose, and manage the relationships of what we have chosen to leave in the picture. There is a system that exists between the individuals themselves and of course also between them and the environment in which they are found.
This type of thinking and decisions will also serve us when we approach planning a new space - an empty one. Nothing is accidental, and even if it is, we will relate to it by creating a relationship or some kind of "reaction" that will emphasize or define it in a certain way. The goal is to produce something "new", organized in such a way that the logic in it will be discerned immediately and will not give the feeling of a random "collection" of details. By the way, if we think about it, this is an approach / method that will suit most areas of life.. When you go to a psychologist/therapist, when we organize our wardrobe, when we try to settle a dispute, try to follow the same path.. So, what is your mess?
space & order
Have you ever wondered how your physical environment affects your thoughts and feelings? Even if you don't understand or know how to explain exactly how it works, the fact is that our environmental dynamics directly affect how we feel and function. The arrangement of the space can evoke a feeling of freedom or seclusion, while the presence (or absence) of order affects our clarity and control in terms of thinking and conduct.
Every element should serve a purpose, or in architecture, the principle of "form following function". I believe that objects and physical environment should evoke positive emotions and serve a role in our lives. By creating items in our spaces and considering their purpose, we create a place that not only looks intentional but also resonates emotionally.
As designers, we must first recognize the effects, and harness these concepts to create supportive environments that allow different occupancy functions to develop within them. The focus is beyond aesthetics; By understanding the nuances of how we inhabit our environment, we can create good interiors that will serve its occupants well.
HOSPITALITY
nAbsolute dependence of two entanglements, Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's easy.I'm a paragraph. Click here to add your own text and edit me. It's
wait for it
lemons
In the field of interior design, challenges often arise unexpectedly—spaces with odd layouts, limited budgets, or client preferences that seem hard to reconcile. Yet, these challenges present opportunities for creativity and innovation. As designers, our job is not just to overcome obstacles but to transform them into features that enhance the beauty, functionality, and personality of a space.
One of the most common "lemons" in interior design is dealing with unique or irregularly shaped spaces. These spaces may initially seem challenging to work with, but they offer a chance to think outside the box. Embracing the uniqueness can lead to bespoke solutions—custom furniture or built-ins that maximize every inch of space, creating cozy nooks or unexpected focal points that "celebrate" the room’s shape rather than hiding it.
Another type of "lemon" frequently encountered is budget constraints. While it may limit the choice of materials or finishes, a tight budget encourages resourcefulness and prioritization. It pushes us to find affordable alternatives or repurpose existing elements creatively. Incorporating DIY projects, thrifted finds, or exploring sustainable options not only keeps costs down but also adds a layer of uniqueness and authenticity to the design.
Maybe, what appears to be a defect or a limitation may contain within it an invitation to creativity, whispering possibilities to those who listen. These are not obstacles but invitations - calls to think differently, to challenge conventions and to reimagine the very concept of space. It is often these perceived "problems" that lead to the most innovative solutions, pushing creative boundaries and resulting in designs that are both unexpected and deeply satisfying. Remember, transforming challenges into design statements
In every design project, each challenge holds the potential to become a defining feature. This is the true art of interior design—not just making spaces look good, but making them feel right, making them tell a story, making them come alive. It's about seeing the extraordinary potential in the seemingly ordinary, and having the courage and creativity to bring that vision to life.
At the heart of this philosophy is a main idea of a change in perspective. We must practice a super vision, one that knows how to create a detour beyond the surface level obstacles, and recognizes the hidden opportunities in every space. It's not just a professional skill - it's a mindset, a way of engaging in the world that extends far beyond the boundaries of design.
The essence of innovative design does not lie in avoiding challenges, but in embracing them as catalysts for creativity. This approach offers more than just the idea of decoration or problem solving; It is a process in which the ordinary becomes extraordinary, and the challenging becomes inspiring.
F L O W
The flow of a space profoundly influences our experience within it, shaping both our physical movements and emotional responses. When we think about flow in design, we are exploring how a space invites engagement and interaction.
Spaces that encourage movement and connection can inspire creativity and collaboration. For example, open work spaces promote teamwork, while isolated cubicles will create a disconnection that is sometimes required within the program of the space. Ultimately the flow we create in the space will affect the way the users will communicate with each other.
When we talk about flow, we also talk about how people move between different areas and how the transitions between the different functions affect their interaction with the space and its users.
In an office space, good flow can improve efficiency and productivity. For example, if the workspace includes designated areas for group work, private meetings, and rest, proper planning of the transitions can intuitively guide employees. When employees know where to find the manager's office, the coffee area and the meeting room, they can move freely between the various functions without feeling lost . Also, creating open spaces with clear transitions can encourage dialogue and collaboration. When there is open flow, employees tend to feel more connected to their environment and coworkers, which promotes teamwork and innovation.
In hospitality spaces such as hotels, proper flow is just as important. Visitors should feel comfortable and easily navigate the various facilities, such as restaurants, spa or pool. Proper planning can guide guests from the moment they enter the hotel to their room, while maintaining a fluid hospitality experience. For example, a wide and inviting lobby with clear signs can guide guests to the service areas in an intuitive way, which makes it easier to find their way around and prevents feelings of frustration.
Proper planning for all to quickly use the structure of the space with existing functions in it. When spaces are "readable", people can find them easily.
With careful planning, you can create environments that invite people to experiment, collaborate, and feel comfortable. This process is not only aesthetic, but also functional, allowing users to enjoy a better experience in their environment.